Christopher Jon Bjerknes
In my book E = mc2 and the Jewish Agenda, I go into great detail describing the Jewish Year 6000 and its apocalyptic significance in view of the jewish system of Mutually Assured Destruction with nuclear weapons. I explain how the seventh millennium relates to the jews' belief that their god inhabits the planet Saturn in the Seventh Heaven. As Above, So Below, the jews seek to remake the Earth in the image of Saturn, and mankind in the androgynous image of their hermaphrodite god, who inhabits Saturn.
While watching Bowie's video Blackstar I immediately realized it is a prayer to Saturn, and incorporated cabalistic myths and witchcraft.
Jordan Maxwell has pointed out that the so-called "Star of David" is instead the emblem of Saturn used on amulets to invoke the devilish power of Saturn.
Some of what Maxwell claims ventures into the absurd, but some of it is correct. I was not the first to see Bowie's occultism in his video:
The crypto-jewish messiah of the jews, Shabbatai Zevi's name means "Saturn" and the reign of Saturn is the messianic age. See: Saturn's Jews: On the Witches' Sabbat and Sabbateanism by Moshe Idel.
Bowie's video is an incantation attempting to summon forth the jews' messianic age and the extinction of the Gentiles. Bowie also authored a song about life on Mars. The jews believe that Sammael, the overlord of Gentile gods, the serpent who infused evil into Eve by fornicating with her, Azazel who accepts the sins of the jews and places them on the Goyim by means of a scapegoat, and ultimately Jesus Christ, Sammael resides on the planet Mars, according to the jews. His death is our death, as above, so below.
Heady stuff, I know, but serious people should learn to recognize the occult images pervading our society which are meant to summon the forces of our destruction from the Seventh Heaven.